As well as some practical guides, we have books on art history, photography, individual artists and art movements, and there are always some quirky art books that make the perfect gift for someone who's got everything!
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Mirka & Georges: A Culinary Affair
Meet the legendary Mirka and Georges Mora, with classic French recipes, untold anecdotes, photographs and Mirka’s sensuous and colourful artworks.
Fugitive History: The Art of Julie Gough
Fugitive History: The Art of Julie Gough celebrates Gough’s artistic practice through a remarkable diversity of form and approach, from sculpture to installations and film. Her artistic output is impressive, and her work internationally recognised. This monograph enables a wider view of an intense project of art making over more than two decades. Julie has lived in Tasmania since 1993 and can trace her matriarchal Aboriginal family line to Tebrikunna, far north eastern Tasmania, where ancestor Woretemoeteyenner, also known as Margaret and Bung, one of the four daughters of east coast leader, Mannalargenna, was born around 1797.
Pioneering Aboriginal watercolourist Albert Namatjira’s landscape paintings are synonymous with our perception of the Australian outback. But these luminous landscapes also expressed Namatjira’s deep connection with the Western Arrarnta Country for which he was a traditional custodian. This is the first publication of Namatjira’s work since the copyright was returned to his descendants, and celebrates the legacy of this important artist through a selection of his evocative watercolours from the NGA’s world-renowned collection.
Vitamin D2: New Perspectives in Drawing
An indispensable survey of the most dynamic contemporary drawing, chosen by leading art world professionals - now in paperback. Vitamin D inaugurated a vibrant period for drawing, followed by Vitamin D2, which showcased 115 outstanding artists pushing the medium’s boundaries. With nominations from over 70 international critics and curators and an introduction by drawing expert Christian Rattemeyer, Vitamin D2 provides a broad overview of drawing while also looking towards its future.
In 2018 the Fondation Louis Vuitton, Paris, will host exhibitons on two of the greatest artists of the 20th century - Egon Schiele, and Jean-Michel Basquiat. Both exhibitions will have the same curator, and will be held at the same time. The shows will illustrate exactly what it is that linked the two artists: line, and the use of expressive force. This, the catalogue of the Basquiat exhibition, labelled "the definitive exhibition" by its curator, brings together 100 of the artist's most important masterpieces, sourced from international museums and private collections. The astonishing radicalness of his artistic practice, Basquiat renewed the concept of art with enduring impact. This Basquiat retrospective centres on the idea of Basquiat's unique energetic line, his use of words, symbols, and how he integrates collage in his paintings, sculptures, objects, and large-scale drawings. The catalogue includes texts by great authors, including Paul Schimmel who tells of his meeting with Basquiat in California; Francesco Pellizi who knew Basquiat well and has not written about him for a long time; and Okwui Enwezor who talks about the Afro American identity.
In Montmartre 1900-1910
The real revolution in the arts first took place not, as is commonly supposed, in the 1920s to the accompaniment of the Charleston, black jazz and mint juleps, but more quietly and intimately, in the shadow of the windmills - artificial and real - and in the cafés and cabarets of Montmartre during the first decade of the century. The cross-fertilization of painting, writing, music and dance produced a panorama of activity characterized by the early works of Picasso, Braque, Matisse, Derain, Vlaminck and Modigliani, the appearance of the Ballet Russe and the salons of Gertrude Stein. In In Montmartre, Sue Roe vividly brings to life the bohemian world of art in Paris between 1900-1910.
Matisse in the Studio
Published to accompany the Royal Academy exhibition 'Matisse in the Studio', this book is the first in English to explore the essential role that Henri Matisse's personal collection of objects played in his studio practice. Featured frequently in the modern master's bold paintings, drawings, and cut-outs, and influencing the development of his work in sculpture, Matisse's objects formed a secret history hiding in plain sight. Works that span the artist's entire career are presented here alongside the objects that inspired them, from Asian vases and African masks to intricate textiles from the Islamic world. With lush illustrations and archival images, Matisse in the Studio provides exceptional insights into the world of the artist at work.
Turner's sketchbooks provide us with a rare and unique opportunity to witness the building blocks, steps and missteps of an artist unparalleled in impact. They give us a privileged look over Turner's shoulder, allowing us to witness the creation and development of ideas that can be traced through to his most famous paintings. In the absence of detailed written accounts of his extensive travels, the notebooks are also a record of his impressions of the many places he visited across Britain and Europe. This book is the first to survey the full range of Turner's sketchbooks, beginning with his teenage explorations and culminating in the masterful colour studies of his later years.
The First Bohemians
In the teeming, disordered, and sexually charged square half-mile centred on London's Covent Garden something extraordinary evolved in the eighteenth century. It was the world's first creative 'Bohemia'. The nation's most significant artists, actors, poets, novelists, and dramatists lived here. From Soho and Leicester Square across Covent Garden's Piazza to Drury Lane, and down from Long Acre to the Strand, they rubbed shoulders with rakes, prostitutes, market people, craftsmen, and shopkeepers. It was an often brutal world full of criminality, poverty and feuds, but also of high spirits, and an intimacy that was as culturally creative as any other in history. Virtually everything that we associate with Georgian culture was produced here.
Margaret Hannah Olley AC (24 June 1923 -- 26 July 2011) was an Australian painter. She was the subject of more than 90 solo exhibitions. Margaret Olley was born in Lismore, New South Wales. She attended Somerville House in Brisbane during her high school years. She was so focused on art that she dropped one French class in order to take another art lesson. Her work concentrated on still life. In 1997 a major retrospective of her work was organized by the Art Gallery of New South Wales.
While the battles for modern art and society were being fought in France and Spain, it has seemed a betrayal that John Betjeman and John Piper were in love with a provincial world of old churches and tea-shops. In this multi-award winning book now available in paperback Alexandra Harris tells a different story. In the 1930s and 1940s, artists and writers explored what it meant to be alive in England. Eclectically, passionately, wittily, they showed that the modern need not be at war with the past. Constructivists and conservatives could work together, and even the Bauhaus emigre, Laszlo Moholy-Nagy, was beguiled into taking photographs for Betjemans nostalgic Oxford University Chest.
Joint winner of the 2015 Prime Minister's Literary Awards for Non-Fiction This landmark biography by Darleen Bungey, the author of the celebrated biography of Arthur Boyd, graphically depicts the forces that drove John Olsen to become one of the country's greatest artists. An exhilarating book, both trenchant and tender, it strips away the veneer of showmanship and fame to show the substance of a painter driven by a need to depict his country's landscape as Australians had never seen it before. Given access to his uncensored diaries and drawing on years of extensive interviews with both Olsen and those who have known him best, she explores his passionate life and follows his navigation though the friendships, rivalries and politics of the Australian art world.
This landmark book charts the development of Australian art, from early Aboriginal work to that of the first colonial settlers, immigrant artists of the twentieth century and the culturally diverse inhabitants of the country today. Exploring this eclectic 300-year history, the book also celebrates key moments in the Australian canon, such as Sidney Nolans iconic paintings about the outlaw Ned Kelly, begun in the 1940s. In recent years the tenacious influence of European art on Australian practice has waned, making way for a highly original native art scene of international standing. Such contemporary artists as Tracey Moffatt, Fiona Hall and Vernon Ah Kee are also represented here.
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